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＜p＞Alabama Rain Holden's life is a dreadful and dangerous one as a thief of drugs for her father, drug lord Ken Holden. Rain hates her life, but she's damned good at what she does. As a vampire with an acute sense of smell, she can sniff out any drug as well as a blood hound, enchant the human mule with the goods to be sold and relieve him or her of the product without the person never remembering the encounter.＜/p＞ ＜p＞One night her drug thievery takes her to Davenport Tower, an opulent forty eight stories of luxury condos owned by the handsome, vampire billionaire, Nate Davenport. Rain's job that evening is to locate the sellers carrying seventy-five pounds of Columbian weed, steal it and return the goods to her father. Unfortunately, the heist going down in Davenport Tower's parking garage is interrupted by none other than Nate Davenport himself.＜/p＞ ＜p＞Nate is incensed when he discovers Rain is a drug dealer operating on his turf. He embarks on a mission to catch her committing a crime so he can bring her before a vampire tribunal where she will pay for her crimes with her life. In his efforts to get the evidence Nate needs against Rain, he instead gets information he never bargained for. Once he learns her dark secret, that she's been brutally forced into this life of crime by her maniacal father, Nate will stop at nothing to liberate her from her feral vampire father.＜/p＞ ＜p＞To survive in a world she hates, Rain adopts a bad ass persona. It doesn't take Nate long to see the real Alabama Rain's heart. She's brave and fearless, kind and compassionate. She even puts her life on the line to save twelve young girls her father has turned into vampire drug dealers. Nate falls for her and hard. But Rain's seedy, violent world may just cost him his life when Rain's father discovers Rain and Nate have fallen in love.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。
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アーティスト：サントラ枚数：1枚組み限定盤：通常曲数：12曲曲名：DISK1 1.ハウ・キャン・ユー・リフューズ・ヒム・ナウ2.ストレンジャー・イン・ア・ストレンジ・ランド3.アー・ユー・アフレイド・トゥ・ダイ4.プリーズ・キャリー・ミー・ホーム5.アヴェ・マリア6.ホワイ・ミー7.ダーカー・ウィズ・ザ・デイ8.誰もひとりでは立てない所9.ハームズ・ウェイ10.バイ・ザ・リヴァーズ・ダーク11.プレシャス・ロード12.ノット・ダーク・イェットタイアップ情報：ハウ・キャン・ユー・リフューズ・ヒム・ナウ オリジナル・サウンド・トラック:日本ヘラルド映画配給映画「パッション」O.サントラ型番：UICU-1068発売年月日：2004年04月21日

＜p＞(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。
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＜p＞For many years there has been a need in the Southeast for a workable system of projectile point classification. Any number of people working in archaeology have attempted various taxonomic schemes from time to time in response to this long felt need. In the past, most of these systems of classification have been based on certain look-alike characteristics, with an utter disregard for the cultural provenience of the objects being classified. Archaeology has been reasonably successful in its classification of pottery. Great progress has been made during the past three decades in unravelling the prehistory of the various ceramic cultures in our area. During this same period, however, very little has been ascertained about the several thousand years of pre-ceramic occupations of which the major cultural determinants and diagnostic traits are stone implements, chiefly projectile points of flint. We have had the pleasure during the past of working very closely with Cambron and Hulse. We have observed how painstaking and careful they are in their evaluations and how they have often refused to place a specimen in a type if all the type attributes were not present. We have also observed in the course of field investigation that, as a result of this taxonomic system, the occurrence of certain types in certain cultural contexts could be predicted with a high degree of accuracy. In other words, this taxonomic system not only allows communication between workers by supplying names for certain classes of artifacts, but it also enables the prehistorian to establish event which took place in time and space. This, after all, is the real test of any artifact taxonomy. In all systems of taxonomy, whether it is the naming and classifying of cave beetles, land snails, snakes, or arrowheads, there are two schools of thought. These can be termed the "splitters" and the "lumpers," and if we might classify ourself without splitting or lumping we would type ourself as a "lumper." However, we are thankful that the authors would be typed as "splitters," because without meticulous splitting, lumping or meaningful generalization would be impossible. This is the reason we have been tolerant of the fine divisions and the hairline cases which have often made variants of what looked like to us one and the same type. Like all such systems, this one has its limitations. We do feel, however, that it is a practical classification system which has already demonstrated its usefulness in archaeological interpretations. The senior author, James Cambron, began his interest in archaeology years ago. He is a native of North Carolina and made his first collections in that state. He is a printer by profession and has been connected with the Decatur Daily for over ten years. Most of his fruitful years as a "part time" archaeologist have been spent in the Tennessee Valley near Decatur, Alabama. He has contributed articles to the publications of both the Alabama Archaeological Society and the Tennessee Archaeological Society. He is recognized by both professionals and amateurs for his specialty in the classification of flint artifacts＜/p＞画面が切り替わりますので、しばらくお待ち下さい。
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 JAN 4988102111199 品　番 GNXR1206 出　演 グレゴリー・ペック(アティカス)／メアリー・バダム(スカウト)／フィリップ・アルフォード(ジェム)／ジョン・メグナ(ディル)／ブロック・ピータース(トム)／ロバート・デュヴァル(ブー・ラドレー)／フランク・オーヴァートン／ローズマリー・マーフィ／ポール・フィックス 原　作 ハーパー・リー 監　督 ロバート・マリガン 制作年、時間 1962年 129分 製作国 アメリカ メーカー等 NBCユニバーサル・エンターテイメントジャパン ジャンル 洋画／ドラマ／クラシック カテゴリー ブルーレイ 入荷日 【2024-06-08】【あらすじ】人種差別と闘いながら正義を貫こうとする父親の姿を通して、人間として大きく成長する兄妹。
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