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＜p＞FAMILY IS A BIG DEAL TO GOD, AND IT DOESN'T HAVE TO BE CONFUSING...＜/p＞ ＜p＞＜em＞How should brothers and sisters in Christ function as family and teammates?＜/em＞＜/p＞ ＜p＞God demonstrates in His Word that men and women are designed to work together without domination, manipulation, or perversion. However, this is often not the pattern we see in many churches today. If you have ever struggled to answer the following questions, you're not alone.＜/p＞ ＜p＞?What are God's original intentions for men and women?＜/p＞ ＜p＞?How did Jesus treat women?＜/p＞ ＜p＞?What did Paul mean when he told the women to be silent?＜/p＞ ＜p＞?How does God distribute His gifts to the church, and how are we instructed to use them?＜/p＞ ＜p＞Join me on this journey as we open God's Word and thread together the heart of the Father, the life of Jesus, the work of the Holy Spirit, and the words of Paul to the church.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。
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＜p＞Adele Briscoe Looscan was the first woman president of the Texas State Historical Association, the longest-serving president of the association (1915?1925), and a remarkable individual. Daughter of Andrew Briscoe, signer of the Texas Declaration of Independence, and granddaughter of John Richardson Harris, founder of Harrisburg, Texas, she was shaped and motivated by her heritage throughout her life.＜/p＞ ＜p＞Adele Looscan was a woman of her time, yet she flourished in the society of both men and women, earning the respect of the former as an astute businesswoman and the admiration of the latter for her leadership and accomplishments.＜/p＞ ＜p＞As a clubwoman, she built an impressive r?sum?: charter member of the Texas State Historical Association; member of the Daughters of the American Revolution, United Daughters of the Confederacy, Daughters of the Republic of Texas, and the Texas Woman’s Press Association; president of the Houston City Federation of Women’s Clubs; and vice president of the Texas Federation of Women’s Clubs in its first year. She organized the Ladies’ Reading Club of Houston in 1885 and was instrumental in founding other literary clubs years before the organization of the Texas Federation.＜/p＞ ＜p＞Her contributions to Texas history appeared in many newspapers and in the ＜em＞Southwestern Historical Quarterly＜/em＞. She used her influence to encourage public education and the preservation of historic landmarks and actively advocated for a state library, archives, and museum.＜/p＞ ＜p＞Her story is valuable and compelling for what it reveals about women and culture in nineteenth- and early twentieth-century Texas and for what it reveals about the nature, origins, and shaping of Texas’s modern identity.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。
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＜p＞＜em＞＜strong＞Milwaukee in Stone and Clay＜/strong＞＜/em＞ ＜strong＞follows directly in the footsteps of Raymond Wiggers's previous award-winning book,＜/strong＞ ＜em＞＜strong＞Chicago in Stone and Clay＜/strong＞＜/em＞**.** It offers a wide-ranging look at the fascinating geology found in the building materials of Milwaukee County's architectural landmarks. And it reveals the intriguing and often surprising links between science, art, and engineering.＜/p＞ ＜p＞Laid out in two main sections, the book first introduces the reader to the fundamentals of Milwaukee's geology and its amazing prehuman history, then provides a site-by-site tour guide. Written in an engaging, informal style, this work presents the first in-depth exploration of the interplay among the region's most architecturally significant sites, the materials they're made of, and the sediments and bedrock they're anchored in.＜/p＞ ＜p＞Raymond Wiggers crafted ＜em＞Milwaukee in Stone and Clay＜/em＞ as an informative and exciting overview of this city. His two decades of experience leading architectural-geology tours have demonstrated the popularity of this approach and the subject matter.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。
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＜p＞＜em＞Confederate Privateer＜/em＞ is a comprehensive account of the brief life and exploits of John Yates Beall, a Confederate soldier, naval officer, and guerrilla in the Chesapeake Bay and Great Lakes region. A resident of Charles Town, Virginia (now West Virginia), near Harpers Ferry, Beall was a member of the militia guarding the site of John Brown’s execution in 1859. Beall later signed on as a private in the Confederate army and suffered a wound in defense of Harpers Ferry early in the war. He quickly became a fanatical Confederate, ignoring the issue of slavery by focusing on a belief that he was fighting to preserve liberty against a tyrannical Republican party that had usurped the republic and its constitution.＜/p＞ ＜p＞Limited by poor health but still seeking an active role in the Confederate cause, Beall traveled to the Midwest and then to Canada, where he developed an elaborate plan for Confederate operations on the Great Lakes. In Richmond, Beall laid his plan before Confederate President Jefferson Davis and Secretary of the Navy Stephen Mallory. Instead of the Great Lakes operation, Mallory authorized a small privateering action on the Chesapeake Bay. Led by “Captain” Beall, the operation damaged or destroyed several ships under the protection of the U.S. Navy. For his part in organizing the raids, Beall became known as the “Terror of the Chesapeake.”＜/p＞ ＜p＞After Union forces captured Beall and his men, the War Department prepared to try them as pirates. But Secretary of War Edwin Stanton backed down, and Beall was later freed in a prisoner exchange. Organizing another privateering operation on the Great Lakes, Beall had some early successes on the water. He then hatched a plan to derail a passenger train transporting Confederate prisoners of war near Niagara, New York, but was captured before he could carry out the mission. The Union army charged Beall with conspiracy, found him guilty, and executed him.＜/p＞ ＜p＞Harris’s history of Beall offers a new view of paramilitary efforts by civilians to support the Confederacy. Though little remembered today, Beall was a legendary figure in the Civil War South, so much so that his execution was on John Wilkes Booth’s list of reasons to assassinate President Abraham Lincoln. Based on exhaustive research in primary and secondary sources and placed in the context of more extensive Confederate guerrilla operations, ＜em＞Confederate Privateer＜/em＞ is sure to be of interest to Civil War scholars and general readers interested in the conflict.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。
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＜p＞“The object of this book,” writes William C. Dowling in his preface, “is to make the key concepts of Paul Ricoeur’s ＜em＞Time and Narrative＜/em＞ available to readers who might have felt bewildered by the twists and turns of its argument.” The sources of puzzlement are, he notes, many. For some, it is Ricoeur’s famously indirect style of presentation, in which the polarities of argument and exegesis seem so often and so suddenly to have reversed themselves. For others, it is the extraordinary intellectual range of Ricoeur’s argument, drawing on traditions as distant from each other as Heideggerian existentialism, French structuralism, and Anglo-American analytic philosophy. Yet beneath the labyrinthian surface of Ricoeur’s ＜em＞Temps et r?cit＜/em＞, Dowling reveals a single extended argument that, though developed unsystematically, is meant to be understood in systematic terms. ＜em＞Ricoeur on Time and Narrative＜/em＞ presents that argument in clear and concise terms, in a way that will be enlightening both to readers new to Ricoeur and those who may have felt themselves adrift in the complexities of ＜em＞Temps et r?cit＜/em＞, Ricoeur’s last major philosophical work. Dowling divides his discussion into six chapters, all closely involved with specific arguments in ＜em＞Temps et r?cit＜/em＞: on mimesis, time, narrativity, semantics of action, poetics of history, and poetics of fiction. Additionally, Dowling provides a preface that lays out the French intellectual context of Ricoeur's philosophical method. An appendix presents his English translation of a personal interview in which Ricoeur, having completed ＜em＞Time and Narrative＜/em＞, looks back over his long career as an internationally renowned philosopher. ＜em＞Ricoeur on Time and Narrative＜/em＞ communicates to readers the intellectual excitement of following Ricoeur’s dismantling of established theories and argumentsーAristotle and Augustine and Husserl on time, Frye and Greimas on narrative structure, Arthur Danto and Louis O. Mink on the nature of historical explanationーwhile coming to see how, under the pressure of Ricoeur’s analysis, these ideas are reconstituted and revealed in a new set of relations to one another.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。
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MOBILE SUIT GUNDAM THE ORIGIN Mobile Suit Gundam Cucuruz Doan's Island Junji Ohno Hajime Yatate Yoshiyuki Tomino VERTICAL INC2025 Hardcover English ISBN：9781647293932 洋書 Family life & Comics（生活＆コミック） Comics & Graphic Novels

＜p＞The spectacular 1848 escape of William and Ellen Craft (1824?1900; 1826?1891) from slavery in Macon, Georgia, is a dramatic story in the annals of American history. Ellen, who could pass for white, disguised herself as a gentleman slaveholder; William accompanied her as his “master’s” devoted slave valet; both traveled openly by train, steamship, and carriage to arrive in free Philadelphia on Christmas Day. In ＜em＞Love, Liberation, and Escaping Slavery＜/em＞, Barbara McCaskill revisits this dual escape and examines the collaborations and partnerships that characterized the Crafts’ activism for the next thirty years: in Boston, where they were on the run again after the passage of the 1850 Fugitive Slave Law; in England; and in Reconstruction-era Georgia. McCaskill also provides a close reading of the Crafts’ only book, their memoir, ＜em＞Running a Thousand Miles for Freedom＜/em＞, published in 1860.＜/p＞ ＜p＞Yet as this study of key moments in the Crafts’ public lives argues, the early print archiveーnewspapers, periodicals, pamphlets, legal documentsーfills gaps in their story by providing insight into how they navigated the challenges of freedom as reformers and educators, and it discloses the transatlantic British and American audiences’ changing reactions to them. By discussing such events as the 1878 court case that placed William’s character and reputation on trial, this book also invites readers to reconsider the Crafts’ triumphal story as one that is messy, unresolved, and bittersweet. An important episode in African American literature, history, and culture, this will be essential reading for teachers and students of the slave narrative genre and the transatlantic antislavery movement and for researchers investigating early American print culture.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。
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＜p＞＜strong＞Since the early twentieth century, Muslim reformers have been campaigning for a total transformation of the ways in which Islam is imagined in the Malay world.＜/strong＞ One of the most influential is the author Haji Abdul Malik bin Abdul Karim Amrullah, commonly known as Hamka.＜/p＞ ＜p＞In ＜em＞Hamka and Islam＜/em＞, Khairudin Aljunied employs the term "cosmopolitan reform" to describe Hamka's attempt to harmonize the many streams of Islamic and Western thought while posing solutions to the various challenges facing Muslims. Among the major themes Aljunied explores are reason and revelation, moderation and extremism, social justice, the state of women in society, and Sufism in the modern age, as well as the importance of history in reforming the minds of modern Muslims.Aljunied argues that Hamka demonstrated intellectual openness and inclusiveness toward a whole range of thoughts and philosophies to develop his own vocabulary of reform, attesting to Hamka's unique ability to function as a conduit for competing Islamic and secular groups.＜/p＞ ＜p＞＜em＞Hamka and Islam＜/em＞ pushes the boundaries of the expanding literature on Muslim reformism and reformist thinkers by grounding its analysis within the Malay experience and by using the concept of cosmopolitan reform in a new context.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。
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＜p＞In the eleven kaleidoscopic stories that make up ＜em＞Bright Shards of Someplace Else＜/em＞, Monica McFawn traces the combustive, hilarious, and profound effects that occur when people misread the minds of others. The charactersーan array of artists, scientists, songwriters, nannies, horse trainers, and poetsーoften try to pin down another’s point of view, only to find that their own worldview is far from fixed.＜/p＞ ＜p＞The characters in McFawn’s stories long for and fear the encroachment of others. A young boy reduces his nanny’s phone bill with a call, then convinces her he can solve her other problems. A man who works at a butterfly-release business becomes dangerously obsessed with solving a famous mathematical proof. A poetry professor finds himself entangled in the investigation of a murdered student. In the final story, an aging lyricist reconnects with a renowned singer to write an album in the Appalachian Mountains, only to be interrupted by the appearance of his drug-addicted son and a mythical story of recovery.＜/p＞ ＜p＞By turns exuberant and philosophically adroit, ＜em＞Bright Shards of Someplace Else＜/em＞ reminds us of both the limits of empathy and its absolute necessity. Our misreadings of others may be unavoidable, but they themselves can be things of beauty, charm, and connection.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。
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＜p＞Succinct text from photographer Barbara McKenzie and a foreword by Robert Coles provide context for this moving collection of photographs of the middle Georgia Flannery O’Connor depicted in her fiction. Whether capturing highway signs proclaiming Christ or a restaurant five hundred yards up the road, the frenzied motions of persons seized by the Holy Spirit, or quiet folks, black and white, sitting on benches in town squares, these photographs portray strikingly and sympathetically the world O’Connor wrote about in her remarkable stories.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。
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＜p＞＜em＞＜strong＞Flooded Pasts＜/strong＞＜/em＞ ＜strong＞examines a world famous yet critically underexamined eventーUNESCO's International Campaign to Save the Monuments of Nubia (1960?80)ーto show how the project, its genealogy, and its aftermath not only propelled archaeology into the postwar world but also helped to "recolonize" it.＜/strong＞ In this book, William Carruthers asks how postwar decolonization took shape and what role a colonial discipline like archaeologyーforged in the crucible of imperialismーplayed as the "new nations" asserted themselves in the face of the global Cold War.＜/p＞ ＜p＞As the Aswan High Dam became the centerpiece of Gamal Abdel Nasser's Egyptian revolution, the Nubian campaign sought to salvage and preserve ancient temples and archaeological sites from the new barrage's floodwaters. Conducted in the neighboring regions of Egyptian and Sudanese Nubia, the project built on years of Nubian archaeological work conducted under British occupation and influence. During that process, the campaign drew on the scientific racism that guided those earlier surveys, helping to consign Nubians themselves to state-led resettlement and modernization programs, even as UNESCO created a picturesque archaeological landscape fit for global media and tourist consumption.＜/p＞ ＜p＞＜em＞Flooded Pasts＜/em＞ describes how colonial archaeological and anthropological practicesーand particularly their archival and documentary manifestationsーcreated an ancient Nubia severed from the region's population. As a result, the Nubian campaign not only became fundamental to the creation of UNESCO's 1972 World Heritage Convention but also exposed questions about the goals of archaeology and heritage and whether the colonial origins of these fields will ever be overcome.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。
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＜p＞Few men of the Civil War era were as complicated or infamous as William Clarke Quantrill. Most who know him recognize him as the architect of the Confederate raid on Lawrence, Kansas, in August 1863 that led to the murder of 180 mostly unarmed men and boys. Before that, though, Quantrill led a transient life, shifting from one masculine form to another. He played the role of fastidious schoolmaster, rough frontiersman, and even confidence man, developing certain notions and skills on his way to becoming a proslavery bushwhacker. Quantrill remains impossible to categorize, a man whose motivations have been difficult to pin down.＜/p＞ ＜p＞Using new documents and old documents examined in new ways, ＜em＞A Man by Any Other Name＜/em＞ paints the most authentic portrait of Quantrill yet rendered. The detailed study of this man not only explores a one-of-a-kind enigmatic figure but also allows us entry into many representative experiences of the Civil War generation. This picture brings to life a unique vision of antebellum life in the territories and a fresh view of guerrilla warfare on the border. Of even greater consequence, seeing Quantrill in this way allows us to examine the perceived essence of American manhood in the mid-nineteenth century.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。
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＜p＞＜strong＞For two Americans in Saigon in 1963, the personal and the political combine to spark the drama of a lifetime＜/strong＞＜/p＞ ＜p＞Before it spread into a tragic war that defined a generation, the conflict in Vietnam smoldered as a guerrilla insurgency and a diplomatic nightmare. Into this volatile country stepped Frederick “Fritz” Nolting, the US ambassador, and his second-in-command, William “Bill” Trueheart, immortalized in David Halberstam’s landmark work ＜em＞The Best and the Brightest＜/em＞ and accidental players in a pivotal juncture in modern US history.＜/p＞ ＜p＞＜em＞Diplomats at War＜/em＞ is a personal memoir by former Washington Post reporter Charles TrueheartーBill’s son and Nolting’s godsonーwho grew up amid the events that traumatized two families and an entire nation. The book embeds the reader at the US embassy and dissects the fateful rift between Nolting and Trueheart over their divergent assessments of the South Vietnamese regime under Ngo Dinh Diem, who would ultimately be assassinated in a coup backed by the United States. Charles Trueheart retells the story of the United States’ headlong plunge into war from an entirely new vantage pointーthat of a son piecing together how his father and godfather participated in, and were deeply damaged by, this historic flashpoint. Their critical rupture, which also destroyed their close friendship, served as a dramatic preface to the United States’ disastrous involvement in the Vietnam conflict.＜/p＞ ＜p＞＜strong＞Winner of the American Academy of Diplomacy Douglas Dillon Award＜/strong＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。
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